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I spent this afternoon in the Mennonite Heritage Museum,
ostensibly to show visitors around, answer questions about Mennonite history
here in the Saskatchewan Valley. As sometimes happens, there weren’t any
visitors and I had time to ponder the purpose of museums and heritage sites,
places where people can come and learn what the past was like.
Yesterday
was different. I spent time with a couple from Quebec who knew very little
English. The man wanted to ask questions about Mennonites but he couldn’t say
the word: “What is Memen . . . Nemmeno . . .” and I would finish his sentences,
except after a few of these exchanges, I was having trouble saying the word
myself! They stayed for about twenty minutes, walked through the various rooms
and thanked me, tipped the museum a dollar and were gone on their way to Saskatoon,
Regina, Winnipeg and eventually, Quebec. “We have a beautiful country,” the man
said, and I agreed.
Almost a dozen people wandered in
and out yesterday. A delightful young couple were overjoyed to find a picture
of the girl’s grandma in an upstairs
display room. The girl drew a happy face after her signature in the guest book.
Meanwhile,
our B & B hosted Metis people attending the annual Back to Batoche event
across the river. A lady from Lethbridge was attending in order to get in touch
with her Metis past so she might pass that legacy on to her young adult
children. She lamented that she’d neglected to do this as they were growing up
and had herself lost touch. Some of you will know from the news that at this
year’s event, a long-lost bell (taken from the Batoche church by the Canadian
Militia after the Battle of Batoche, then stolen and finally resurfacing) was
returned and celebrated by the thousands of people at the event.
How
important is a church bell—even a silver one—in the maintenance of a cultural
identity? How much is David Toews’ desk an artifact that meaningfully connects
Mennonites to their ethnic and spiritual heritage? Would my life be less if the
world’s last cream separator were to be thrown into the sea? Why would anyone
sit in a moldering museum through a Sunday afternoon with no company except the
musty artifacts of an age gone by, pictures and more pictures of our ancestors
long gone?
This is
the point where I should answer the questions above, but that’s not my purpose.
They say we learn history so we may imitate its successes and avoid its
mistakes. Are museums and heritage places helping us to benefit from history,
or are they primarily places where one can be amused by the quaintness of the “olden
days” for an hour or so. My observation has been that artifacts on their own are incapable of
transmitting ideas. What’s your observation been?
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